Toronto Music Scene



Thu05172012

Last update11:48:36 PM GMT


Interviews

Why Goldfinger now hates Wakestock and Kelly is the next Jack Black

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Pic of Kelly From GoldfingerBy: Sheena Lyonnais
July 30, 2010
             

When Goldfinger bassist Kelly LeMieux told Toronto Music Scene at Wakestock that “usually something funny and stupid happens [when we play] no matter what,” he never could have anticipated what would unfold during their set.

 

But four hours later when the Californian boys invited fans up on stage to join them during their classic song Mable like they do at every single Goldfinger show, including two previous Toronto Wakestocks, something went terribly wrong.  Security decided this was not cool and began blocking and throwing kids off the stage, forcing them to descend and ultimately resulting in singer John Feldman’s decision to stop the song.

 

“What the fuck is this?”  He yelled. He began arguing with security, saying he warned them about this and that they do it at every show.  And when security continued to throw kids off stage, Feldman broke Wakestock and Centre Island’s “no swearing” policy by changing the words to their song “Fuck Ted Nugent” to “fuck security” and encouraging the crowd to chant it. 

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The Junction Likes Their Music Raw And Inspirational

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Pic of The JunctionBy: Sheena Lyonnais  
July 29, 2007

  

“The first set was kind of interesting because 1:30 is kind of early for me, I usually wake up at 1:30 in the afternoon,” says Brent Jackson, the tall, scruffy-haired singer/guitarist of Brampton’s the Junction. He just finished playing his second set at Wakestock on Toronto Island and can’t help but point out how many things seem interesting these days about his band: the early starting times, playing large festivals and more importantly, the progress of their recently released self-titled album.

“We just did it barebones, as quick as we could, as true to our live show as possible,” he said. The album is in clear contrast with their first EP, which was polished and well received, but not an accurate representation of their live performance. So for the new album they switched it up, paid attention to the mathematics of performing and recording and attempted to incorporate raw but professional sounds into the album so that it reflected their true style.

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